![]() ![]() The Gothic style windows are unusual for an Orthodox church, where rounded windows are usually preferred. The doors of the church are wooden, double-leaf doors with an iron gate. The windows are double-hung sash with a wood frame. The windows are stained-glass in a peaked, Gothic style, and there is a circular window combining stained-glass and painted glass in the rear of the apse. The rafter tails under the eaves of the church are hand-carved. The three bells still in use in the tower are set to the Slavic scale, and were a gift to the church from Nicholas II, the last Czar of Russia. The peak of the onion dome and the peak of the apse form two sides of an equilateral triangle. The original cross was removed at this time and placed in the Orthodox section of Riverside Cemetery. ![]() In 1985, this onion dome was removed and replaced with a new onion dome and cross copied from St. ![]() At this time, the four "spires" on the corners of the bell tower roof were also removed. Between 19, the bell tower was altered and a small Russian-type onion dome was constructed beneath the existing cross. In the early 1920s, the original red brick church was covered by a white stucco veneer. This feature is also found on Orthodox churches from the Vukovina region of Eastern Europe, from which the majority of the original Carpatho-Russian parishioners immigrated. ![]() The rounded apse is a historical feature traditionally found in many Orthodox churches, and sets the building apart from other churches constructed during this period, which feature the traditional western church form, in which the apse projects outward from the building. The simple symmetrical design of the building is reflected in the perfectly rounded apse, or rear of the church. The basic building structure is brick, with a stucco veneer laid over the brick in the 1920s. The architectural style of the church has some characteristics of rural community churches found in Eastern Europe, but is primarily in the neo-gothic style characteristic of church design in turn-of-the-century Denver: simple symmetrical form, central entrance tower, pointed windows, and suggestions of tracery in simplified materials and techniques. The church is partially surrounded on the south and east edges of the property by an ornate wrought iron fence, which originally graced Denver's old Union Station. In 2010, the hall was dedicated as Hirsch Hall in memory of Father Joe and Matushka Paulette who served the parish and neighborhood for over 25 years. Immediately behind the church is the parish hall. Mature trees line 47th Avenue, and separate the church from the two-story, brick rectory, which was constructed in 1914. With its gold onion dome visible from Interstate 70, the church sits on the southwest corner of East 47th and Logan Streets in the Globeville neighborhood of Denver, Colorado. The building is approximately 65 feet long and 35 feet wide. Sometimes distinctions have been made between Iconology and Iconography, although the definitions, and so the distinction made, varies.Located west of Argo Park in the old Russian-Serbian neighborhood of Globeville is Holy Transfiguration of Christ Orthodox Cathedral, constructed in 1898 by church parishioners. The term is also used in many academic fields other than art history, for example semiotics and media studies, and in general usage, for the content of images, the typical depiction in images of a subject, and related senses. In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. A secondary meaning is the production of religious images, called icons, in the Byzantine and Orthodox Christian tradition that is covered at Icon. The word iconography comes from the Greek εἰκών and γράφειν. Iconography Iconography is the branch of art history which studies the identification, description, and the interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. ![]()
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